Blog
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		 FKA Twigs goes public about using AII think this is an interesting take on the AI debate among artists.She is using the tech available to free her up from the mundane capitalist activities of her career so that she has more time and energy to create. Of course in doing so she is complicit in the pushing forward of learning technology that can effectively clone and feign a human identity. But at least she is in that conversation and so can help steer it.We aren’t even in the conversation if we just push it away.
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		3D printingI worked with James to build a scaled up 3D CAD model of the cap I wanted for my large milk carton.This was honestly quite difficult because I have never used this software before. But James used to teach similar content which was a huge help and I eventually managed to get it right, scale it 5 times and set it to print.The whole printing process took 23 hours.The substrate used is biodegradable which is nice. It’s not that robust in structure, although it doesn’t need to be because it’s ornamental.The end result is of high production value and will really finish off the milk carton.This was a much simpler and more effective choice than my original idea to create a ceramic mould and vacuum form the lid over that. Pleased that I took the time to think on it and not rush into the first solution that presented itself to me.This also highlights the value of having access to a equipment; obviously the only reason that this solution is possible is because I have access to the studios and their equipment supported by highly skilled technicians.
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		 Scaled up vesselMaking this larger piece on my own was going to prove a logistical challenge. I decided to scale it up 5 times, largely because this is the largest I could cut the pieces on the laser cutter. I was also limited by budget as Perspex is expensive. I felt a little nervous in the lead up to making it because it’s fairly large as a sculptural piece; standing at over 1 metre in height. But all the test pieces I had made gave me so much confidence in executing this final piece. And that practise really played off because my technique was so improved that this came out perfectly. That’s not hyperbole, it’s perfect. The measurements, the cuts, the bends, the angles of all 4 pieces that sit perfectly flush to one another. And I glued it well and finished the surfaces off without any damage caused by the solvent glue which can be tricky to apply. Chuffed. To. Bits.And I am just OBSSESSED with this pink. I am going to use it in my screen-print process too and have it as a strong primary colour choice for my installation; it sits well within the themes I am exploring and is just fucking delicious. 
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		 Kapwani Kiwanga uses Baker-Miller pink‘pink-blue’ Kapwani Kiwanga uses Baker Miller pink. ‘Kapwani Kiwanga’s work often manifests as installations, sound, video, and performance. She intentionally confuses truth and fiction in order to unsettle hegemonic narratives and create spaces in which marginal discourse can flourish. As a trained anthropologist and social scientist, she occupies the role of a researcher in her projects. Her methodology includes fashioning systems and establishing protocols as in scientific experimentation to delineate lenses through which one can observe culture and it’s characteristic propensity toward mutation.’ SOURCE: Kapani Kiwanga website 
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		 The shady past of pink‘A hue now associated with innocence once had a murkier meaning: Kelly Grovier looks at the ways in which pink has represented violence and seduction. Pink is a double-edged sword. While red is raucous and racy, and white is prim and pure, pink cuts both ways. Long before the word “pink” attached itself to the pretty pastel shade of delicate carnations, as we define the term today, the London underworld enlisted it for something rather less frilly or fragrant – to denote the act of stabbing someone with a sharp blade. “He pink’d his Dubblet”, so reads an entry for the word in a 17th-Century dictionary of street slang used by “Beggars, Shoplifters, Highwaymen, Foot-Pads and all other Clans of Cheats and Villains”, describing a lethal lunge through a man’s padded jacket, “He run him through”.’ SOURCE: BBC article 
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		 Baker- MIller pink‘Baker–Miller Pink, also known as P-618, Schauss pink, or Drunk-Tank Pink. is a tone of pink which has been observed to temporarily reduce hostile, violent or aggressive behavior. It was originally created by mixing white indoor latex paint with red trim semi-gloss outdoor paint in a 1:8 ratio by volume.’ 
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		Reflections on milk vessel maquettesCreating these maquettes was a valuable journey full of error learning and confidence boosts.On reflection, I embarked upon the process arrogantly. I had never worked with Perspex or any of the equipment I was using to manipulate it before. And my dyscalculia means that I can can struggle with numeracy and geometry.But because they were the only answer to the visual coding that I wanted(implying both sustenance/ nurturing as well as something lost or missing) I committed to the process.I made 15 maquettes in total, most of which are possibly unfit for showing or use. But each one taught me a little better how to work with the material and get the desired end result. This kind of work can feel frustrating but it’s an unavoidable step in getting really good at anything isn’t it. Just doing it lots. Showing up lots.Once I let go of my frustrations/ fixation on the “end result” and properly connected with the process of working with the pieces, I enjoyed the repetition of it all. It felt mindful.Making these has also helped me realise how strong an impact distilling a form can have.I have been messing around with various colours of Perspex and I am really really enjoying a shade close to bubblegum pink as a final choice. Bubblegum pink is a current trend slang for female genitals. And Baker-Miller pink is used in prisons regularly because of it’s calming and aggression reducing psychological effects.I will definitely include these vessel forms in some way in my end of year show; maybe making a huge one or maybe creating multiple and having them as a collection of containers.
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		Translating tetraI decided to experiment translating milk tetra cartons into blank Perspex. Milk is the original food and so implies nourishment and nurturing, This is a good fit for my installation and it’s a paradox to the subtle trauma themes already being worked in.Initial thoughts are that I could create a sculptural object, screen print onto them or they could be used in my video/ projection piece as a surface.





